Writing a thriller is equal parts conscious and unconscious work. At least, it is for me. And the conscious part, in fact, is often more in retrospect than the writing moment. One of those crossover parts is whether to reveal the plot piece-by-piece or all at once, in either case, relying heavily on invoking the reader's curiosity. 

In the classic mystery thriller, the plot is revealed gradually piece-by-piece with the final piece that brings meaning to everything typically withheld to the las...

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